Bilder, Inhalt, Synopsis, Beschrieb, Trailer zum Film The Cabin in the Woods. IMDB-Rating: 7/ Kinostart CH-D: Kinostart CH-F: Two misfit males, one man-child, one boy, find each other, building a small cabin in the woods to create a new life. Their daily struggle for survival creates a. The Cabin in the Woods () - IMDb. Five friends go for a break at a remote cabin, where they get more than they bargained for, discovering the truth behind.
Imdb Cabin In The Woods Ein Film von Drew Goddard
Two misfit males, one man-child, one boy, find each other, building a small cabin in the woods to create a new life. Their daily struggle for survival creates a. The Cabin in the Woods, The Three Stooges, Lockout, and Detention are among the films opening in theaters this weekend. Here's a full list of trailers! imagedreams.eu The Cabin in the Woods. ()IMDb 7,01 Std. 35 Min Eigentlich wollten die fünf Freunde nur ein wenig in einer entlegenen Hütte im Wald entspannen. The Cabin in the Woods. ()IMDb 7,01 Std. 35 MinX-Ray Ein entspanntes Wochenende in einer Hütte im Wald, in der Mitte von Nirgendwo soll es. The Cabin in the Woods () - IMDb. Five friends go for a break at a remote cabin, where they get more than they bargained for, discovering the truth behind. Cabin in the Woods. IMDb 7,01 Std. 35 Min+. From fan favorites Joss Whedon (The Avengers, Buffy the Vampire Slayer) and Drew Goddard. The Cabin in the Woods. IMDb 7,01h 35min+. Ein entspanntes Wochenende in einer Hütte im Wald, in der Mitte von Nirgendwo soll es werden, fernab.
The Cabin in the Woods Ein Film von Drew Goddard mit Kristen Connolly, Chris wenn ich mir auf imagedreams.eu einige Kritiken durchlese (unabhängig davon. Trailer zu The Cabin in the Woods von Drew Goddard. Mit Richard Jenkins, Bradley Whitford. Hier Video abspielen. Ironischerweise wurde „The Cabin in the Woods“ bereits gedreht, konnte aber aufgrund IMDB-Link: imagedreams.eu
When Curt jumps into the force field the point of impact is impossibly high. When Jules makes out with the wolf, its teeth and jaw jiggle as if made of rubber.
The RV has a traditional rearview mirror and side mirrors. The side mirrors make sense for an oversized vehicle, but the rearview wouldn't help the driver, as all it would show the driver is the interior of the RV.
It doesn't make much sense that activating System Purge would release all the monsters into the facility, nor why it would be so easy to do with the flipping of a switch and push of a button.
It would make far more sense that a System Purge would destroy all the monsters in the event of a security breach. It also makes no sense why any of the cells would be able to open into the lobby in the first place.
See 5 spoilers. Crazy Credits Quotes Trivia. Dana recites incantations from the diary and inadvertently summons the zombified Buckner family.
Hadley releases pheromones to induce Curt and Jules to have sex outside. They are attacked by the zombies and Jules is decapitated while Curt escapes.
Marty discovers concealed surveillance equipment in his room before being dragged off by a zombie. The lab workers learn that the rite in Japan has also failed, meaning that the American rite is "humanity's last hope".
Curt, Holden, and Dana attempt to escape in their RV , but Sitterson triggers a tunnel collapse to block them. Curt attempts to jump a ravine on his motorcycle to seek help on the other side, but crashes into a force field and falls to his death.
Holden and Dana realize that their experience is staged and controlled. As they try to escape in the RV, Holden is killed by a zombie, and Dana is attacked once the RV crashes into the lake.
The lab employees, seeing that Dana is the only survivor, celebrate the success of the rite, but are interrupted by a phone call from "The Director," revealing that Marty is still alive.
Marty saves Dana and takes her to a hidden elevator he discovered. They descend into the lab and discover a large collection of different monsters locked in cages.
Dana correlates them with the objects in the cabin's cellar and realizes that the objects determine which monsters are released.
Cornered by security personnel, the pair trigger a "Purge" button and release all the monsters, which wreak havoc and slaughter the staff.
Dana and Marty flee and discover an ancient temple, where they are confronted by The Director. She explains that worldwide annual rituals of human sacrifice are held to appease the Ancient Ones, a group of cruel subterranean deities.
Each region has its own ritual, and the American ritual involves the sacrifice of five slasher film archetypes: the whore Jules , the athlete Curt , the scholar Holden , the fool Marty , and the virgin Dana.
The order of the killings is arbitrary as long as the whore dies first and the virgin dies last or survives. The Director urges Dana to kill Marty to complete the ritual and spare humanity, as all other rituals had failed that year.
Dana is about to but is attacked by a werewolf , while Patience kills The Director. Deciding that humanity is not worth saving, Dana apologizes to Marty for almost killing him and the two share a joint while awaiting their fate.
The temple floor collapses and a giant hand emerges from the grounds, destroying the facility and the cabin.
Joss Whedon co-wrote the script with Cloverfield screenwriter Drew Goddard , who also directed the film, marking his directorial debut.
Whedon described the film as an attempt to revitalize the horror genre. He called it a "loving hate letter" to the genre, continuing: .
I love being scared. The things that I don't like are kids acting like idiots, the devolution of the horror movie into torture porn and into a long series of sadistic comeuppances.
Drew and I both felt that the pendulum had swung a little too far in that direction. Concerning the sheer number of creatures to be designed and made for the film, AFX Studio's David LeRoy Anderson estimated that "close to a thousand" people were turned into one of around 60 different monster types.
The producers told them to commence work on December 15, , ahead of the official January 1, , start date. They only completed the work by the March 9, , production date because, as Anderson stated "We had nearly seventy people at peak, but in effect we had a hundred and forty people, because everybody had at least two jobs The underground complex, elevators, and the control room were all sets, but for several wide shots, the British Columbia Institute of Technology 's Aerospace building was used.
Production designer Martin Whist referred to Stanley Kubrick and commented: "It's very high-tech industrial, and it's a brand new building, never been shot in before I wanted [the elevators] to be without any controls The lobby I wanted to look slightly utilitarian, contemporary and institutional A tie-in of the film with the video game Left 4 Dead 2 had been planned, with the game seeing downloadable content based on the movie's settings.
However, due to MGM's financial problems, the game content was cancelled, but Valve allowed the studio to use monsters from Left 4 Dead 2 to populate the monster cells at the end of the film.
The Cabin in the Woods was slated for wide release on February 5, ,   and then delayed until January 14, , so the film could be converted to 3D.
On March 16, , the Los Angeles Times reported the following: "New MGM chief executives Gary Barber and Roger Birnbaum are seeking to sell both Red Dawn and the horror film The Cabin in the Woods, the last two pictures produced under a previous regime, as they try to reshape the year-old company.
Had the bankruptcy not happened, we wouldn't have been in the right fit with the right people. Yes, it took two years longer than we wish it would've taken, but Lionsgate didn't make us change a frame and believed in what we were trying to do.
If I had complained too much when MGM went bankrupt, we could have hurt ourselves. We just held firm that we believed in the movie and that we would find the right home and time, and it did.
It's hard, but you have to be very patient in Hollywood. A surprise early screening of the film was held at the Butt-Numb-A-Thon in December , attracting highly positive reactions.
The site's critical consensus reads, " The Cabin in the Woods is an astonishing meta-feat, capable of being funny, strange, and scary — frequently all at the same time.
Roger Ebert of the Chicago Sun-Times gave the film three out of four stars, saying that " The Cabin in the Woods has been constructed almost as a puzzle for horror fans to solve.
Which conventions are being toyed with? Which authors and films are being referred to? Is the film itself an act of criticism?
Travers praised Kristen Connolly and Fran Kranz for their performances, and wrote, "By turning splatter formula on its empty head, Cabin shows you can unleash a fire-breathing horror film without leaving your brain or your heart on the killing floor.
Even when the story sticks firmly in standard horror territory, this particular group of attractive kids is especially fun to spend time with You'll have to see it, and you really have to see it if you love horror, hate horror, or have any interest in seeing how the genre can function as a playground for something completely fresh.
Richard Jenkins and Bradley Whitford are involved, though in roles that are more fun to discover as you go along-- they do get a lot of the best jokes, though, and their scenes show a lot of Goddard's skill in handling the rhythm of a scene.
Jenkins and Whitford were also admired by The A. Club "Whitford and Jenkins clearly delight in the verbose script" and by Wired , whose reviewer granting 9 of 10 stars called Cabin "a smart sendup of horror movies and mythology Ann Hornaday of The Washington Post , giving the movie 3 of 4 stars, wrote:.
A fiendishly clever brand of meta-level genius propels The Cabin in the Woods , a pulpy, deceivingly insightful send-up of horror movies that elicits just as many knowing chuckles as horrified gasps.
The danger in such a loftily ironic approach is that everything in the film appears with ready-made quotation marks around it But by then, the audience will have picked up on the infectiously goofy vibe of an enterprise that, from its first sprightly moments, clearly has no intention of taking itself too seriously.
Eric Goldman, writing for IGN , called the movie "an incredibly clever and fun take on classic horror movie tropes.
By the time the ride is over, director Drew Goddard and co-writers Goddard and Joss Whedon will change course three or four times, nodding and winking but never losing momentum.
Keith Phipps of The A. Club addressed " Cabin touches on everything from The Evil Dead and Friday The 13th to the mechanized mutilations of the Saw series while digging deeper into the Lovecraftian roots of horror in an attempt to reveal what makes the genre work It's an exercise in metafiction that, while providing grisly fun, never distances viewers.
And it's entertaining, while asking the same question of viewers and characters alike: Why come to a place you knew all along was going to be so dark and dangerous?
Betsy Sharkey of the Los Angeles Times believed that the film "is an inside joke" and also said, "The laughs [in the film] come easily, the screams not so much.
Too much overt cleverness has a way of spoiling dumb, reliable thrills. And despite the evident ingenuity and strenuous labor that went into it, The Cabin in the Woods does not quite work.
Two distinct kinds of movie are being yoked, by violence, together, and the performers inhabit their familiar roles with unusual wit.
On April 13, , author Peter Gallagher filed a copyright infringement lawsuit in California federal court against the makers of the film.
From Wikipedia, the free encyclopedia. Theatrical release poster. Mutant Enemy Productions. Release date.
Running time. British Board of Film Classification. March 22, Archived from the original on December 1, Retrieved December 26, Entertainment Weekly.
Archived from the original on December 27, Box Office Mojo. Internet Movie Database. Archived from the original on November 16,